You don't live in the real world.
The world that you experience every day
is, not exactly a figment of your imagination, but a representation
of the real world, constructed by your brain. To my mind the clearest
example of this is your perception of colour – the sky is blue, but
blueness doesn't exist in the real world. In the real world, light
from the sky is composed of a wide range of different frequencies,
from the ultraviolet band, through the visible and tailing off into
the infrared. We know this because we can measure it instrumentally.
Our instruments can measure any property we like about this light –
in addition to its intensity over the wide range of frequencies, its
polarisation and coherence (and probably other properties I haven't
heard of). We can even measure it as individual photons. But we can't
measure its blueness.
Of course we know that light over a
particular range of wavelengths appears to us as blue, but in the
world as measured by instruments, blue light is different to red
light only in its wavelength – it is a difference of
quantity, not of quality. The quality of blueness can't
be measured, because it's a subjective experience inside our heads.
The experience of blueness occurs when the receptors in our eyes
which are more sensitive to the blue wavelength band, are stimulated
more than the receptors that are sensitive to red and to green. The
colour blue is something that belongs to our simulated world, not to
the “real world” out there.
Now, the simulated world that we live
in does bear some relationship to the real world, but not in the way
you might think. The world that we experience is a greatly simplified
representation of the real world, that helps us to survive. It
contains the details of patterns that we are drawn to notice, many of
which are hard-wired (is that a face? is is there a leopard hiding in
the grass over there?) and some of which are learned. There is
nothing that requires the simulated world in our heads to be
accurate, foolproof, or even make us happy. Magicians actually rely
on fooling our brains (this happens in entirely reliable and
predictable ways) into constructing a world that doesn't correspond
to physical reality, for dramatic and entertaining effect.
In fact, the world of our everyday
experience is full of things that don't really exist at all. Take a
teacup, for example – an object of some moderate significance in
our world. You can do all kinds of things with it, it has properties
and functions that are useful for you, you can describe what it's
like including its weight, shape, colour, etc. But in the physical
reality at the molecular and atomic level it doesn't even exist as an
object. The aluminium, silicon and oxygen atoms that make the teacup
don't care that they're part of a teacup, they don't even know that
they are part of a teacup. Each atom is affected by electronic
interactions with its nearest neighbours, but further away than that
there is no physical, atomic significance whatsoever for the fact that they are
part of a teacup, a dollar-shop garden gnome or a Ming dynasty vase.
Now, this is the important bit: in our constructed worlds, the thing
that for us is a teacup (or a gnome, or a vase), emerges from the
relationships between the components at the level below. The
teacup is not a real, physical thing, but a pattern
that only exists, only
is recognised,
only
has any meaning
inside your head. It's
just as Spoon Boy explained to Neo in The Matrix: there is no spoon.
This
might seem silly, but it's even easier to explain with living
organisms like yourself. Your physical body is composed of cells of
many different types, which live, reproduce and die according to
rules that keep your body functioning properly. Over
25 years or so, every single one of your cells will have been
replaced –
some of them many times over.
You are now composed of different matter than you were 25 years ago.
In fact your body is a self-sustaining pattern that continually
absorbs atoms from the environment when it eats, drinks and inhales;
and emits them continually through exhaling, sweating and various
other bodily excretions. Yet somehow you are still you, a bit like
the old joke about Granddad's
favourite axe that has had its head replaced twice and the handle
three or four times. The point here bears repeating: the things that
are significant in the perceived world that we live in are patterns in
the “real world” like a wave is a pattern in water. What
you think of as
the
real world is in fact a representation of the relationships between
the components of the real physical world, not the real physical
world itself.
Now
in esoteric thought, it is considered that we humans
inhabit the physical
plane, the lowest of planes.
I
wonder though,
if the world of our everyday experience is actually a fairly abstract
representation of the patterns in the physical
world, the world of our experience isn't the lowest plane after all.
The "real" physical plane of molecules and atoms exists below the plane that we live in. It
isn't a direct part of our world at all, but it's required absolutely
for our world to exist. The patterns of our world are patterns in
something –
the physical world of atoms and molecules.
Even
atoms though, are really just patterns of organisation of subatomic
particles with emergent properties of their own. The protons,
neutrons and electrons in the silicon atom in your teacup are the
same as those in the aluminium atoms – they are merely taking part
in a different dance and forming a different pattern with
different emergent behaviours.
At this level and below the world is a weird mix of quantum mechanics
and strings vibrating in eleven dimensions: a world that is utterly
unlike the world of our experience, dimly and imperfectly glimpsed
through the lens of mathematics. But
real, nonetheless. If it weren't so you wouldn't be reading this,
because despite being utterly alien to us, quantum mechanics works
and is the basis for the electronics we use every day.
What
about the other direction though? If
the patterns that make up our world are patterns in
the plane below, what of the patterns in our world?
If
the
constructed world we live in
is a representation of patterns in atoms, which themselves
are
patterns of subatomic particles, which are in
turn patterns
in vibrating string-stuff, what is the significance of
the
patterns
in
our world? Do
they form a constructed reality for consciousnesses
inhabiting
the plane above? And
what
of the
patterns of those patterns, at some even
higher
level? Scientific
thought largely ignores this. In
fact, science goes to a great deal of trouble to exclude any patterns
at
all from outside the experiment, to make clear the very
simple kinds of interactions that are within
our intellectual capabilities.
This is a very good reason,
but
I
think it has left a kind of cultural blind spot that comes with
scientific training. The
scientific study of the patterns themselves – ecology, chaos
theory, whole systems analysis, are fiendishly complex and even then
are not predictive of the emergent behaviours at the next
level. They study the interactions, not
the meaning of the interactions in the next plane up.
So
in
the prevailing western scientific world-view, perhaps
as a result of this cultural blind spot, the
assumption
is
that
there
is no significance at all to
patterns in our
world –
except for the special case of the patterns of neuronal organisation
in our brains. These
special patterns
somehow have the emergent property of consciousness (and among other
things, the subjective experience of the colour blue).
I
suspect that the only
reason
for this acceptance is that
it's difficult to deny the reality of subjective experience, and
without a non-physical soul or spirit or some other essence (an
unpopular notion in science these
days),
there doesn't seem to be any other way to explain it. It
must therefore
be
an emergent property. So
we're left with the slightly absurd notion that the complex network
of interacting components in a human brain gives rise to
consciousness (and, grudgingly, perhaps this is also true but
to
a lesser extent in animal brains), but that other kinds of complex
networks of interacting components do not give rise to consciousness.
This notion is of course entirely untestable in any way that is
acceptable to science and hence is not properly a part of science at
all. Ecosystems,
human societies, weather patterns, biospheres, all are assumed to not
give rise to consciousness in the same way that a brain does. There's
no reason to make this assumption, in fact it may be more reasonable
(and perhaps safer!) to assume the converse.
On
the other hand, if consciousness is not “just”
an emergent
property of sufficiently complex physical systems (or
whatever property it is that does the trick), and it arises because
of some other factor like a life force or soul, then why wouldn't
that factor also manifest in ways other than human consciousness?
Unless your
religion insists that said factor only applies to humans, but this
doesn't seem any more satisfactory than the special pleading in the
scientific world-view that only brains, and not any other kind of
complex interacting network, cause the subjective experiences of
consciousness to arise.
Either
way, those subjective experiences do arise. You and I both do
perceive the colour blue, and both recognise a teacup when we see
one. Whether my experience of blueness is anything like yours, I have
no idea. I guess that it probably is, because we're both humans with
a lot of biology in common, but this is only and always will be just
a working assumption. Although
our experiences may be similar to
each other's,
they are not in any way similar to what “the real world”
(whatever
that might mean)
is
really like.
It
could be that the world and its planes are just patterns all the way down, and may
well
be
patterns all the way up as well.
This says something to me about science, and about art. They are both quests for understanding and making sense but are looking in opposite directions. It seems to me that science, generally speaking, "looks down" through the lower layers of existence that underpin our world, while art "looks up" through the upper layers and tries to highlight and draw meaning from the patterns of human experience.
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